




Going to the match, leaving the match
Photography artwork created exclusively for Dogma by Andrew Forsyth, featured on the cover of Dogma Issue 15 (autumn 2025), available as a beautiful giclee fine art print.
Inspired by Nude Descending a Staircase, Marcel Duchamp's 1912 Modernist masterpiece, Going to the match, leaving the match layers dozens of images taken before and after a game. It records the bustling atmosphere of a Brighton crowd in early spring, presenting a sunnier, more uplifting contrast to Lowry's grim-up-north Going To the Match.
The image also has the fragmented perspective of a David Hockney photo collage, with multiple viewpoints from around the stadium. The same people are often repeated across the image; some are easy to see, many are obscured as they blend into each other. It plays with the notion of a photo being a factual record of a single moment in time, as if all our match day experiences have blurred into one.
Printed on-demand on specialist Hahnemuhle Photo Rag 308gsm paper, using high quality giclee archival ink, in two sizes: large format 1000 x 327 mm plus a smaller 489 x 160mm option.
Each art print will be signed by the photographer - Dogma’s Andrew Forsyth - and delivered in a protective cardboard tube.
Going to the match, leaving the match
Photography artwork created exclusively for Dogma by Andrew Forsyth, featured on the cover of Dogma Issue 15 (autumn 2025), available as a beautiful giclee fine art print.
Inspired by Nude Descending a Staircase, Marcel Duchamp's 1912 Modernist masterpiece, Going to the match, leaving the match layers dozens of images taken before and after a game. It records the bustling atmosphere of a Brighton crowd in early spring, presenting a sunnier, more uplifting contrast to Lowry's grim-up-north Going To the Match.
The image also has the fragmented perspective of a David Hockney photo collage, with multiple viewpoints from around the stadium. The same people are often repeated across the image; some are easy to see, many are obscured as they blend into each other. It plays with the notion of a photo being a factual record of a single moment in time, as if all our match day experiences have blurred into one.
Printed on-demand on specialist Hahnemuhle Photo Rag 308gsm paper, using high quality giclee archival ink, in two sizes: large format 1000 x 327 mm plus a smaller 489 x 160mm option.
Each art print will be signed by the photographer - Dogma’s Andrew Forsyth - and delivered in a protective cardboard tube.
